Twenty-two soundtracks to movies that don’t exist. Each one is a Spotify playlist curated and sequenced as the score for a film you imagine in your mind.
They’re autobiographical and fictional at the same time. The music is what I was actually listening to during that period of my life, and the genre framing is how it felt. The same impulse behind a good dataset, or a good library: curation as creative act, selection as composition.
FUTURECRIME (2017): “When manufacturing synthetic noise-drugs is outlawed, only outlaws will manufacture synthetic noise-drugs.”
TELL ME HOW YOU REALLY FEEL (2017): “Five sexy young people, locked up together, for a year. On Mars. What could go wrong?”
ENTER THE WOO (2018): “A psychedelic journey to defeat the Paper People and find the Source of Hipness itself!”
DUCHIES & DEVILS (2018): “A ragtag band of misfits must save the realm from the forces of darkness. Again.”
BITCOIN MILLIONAIRE (2019): “Easy come, easy go! Easy come. Easy go. Easy come easy go shit shit shit undo.”
THE LONG RIDE HOME (2019)
NEON OASIS (2019)
THE WITCH NEXT DOOR (2019)
NEON OASIS II: THE PROMISED LAND (2020)
500 YEARS OF SUMMER (2020): “This is fine.”
GHOST IN THE MACHINE (2020)
THE BOOK OF DREAMS (2021)
SLEEPWALKERS (2021)
THE GARDEN (2021)
SATELLITE (2022)
FAST TAKEOFF (2023): “In a world, where computers could think for themselves… the Bingularity.”
SECOND NATURE (2023)
WEIRD WEST (2023)
LUNAR LANGUAGE MODEL (2024): “Love is the only thing faster than light.”
STRANGE LOOP (2024)
DESERT ORACLE (2025)
AFTER HOURS (2025)